We follow City, State, Federal, and CDC requirements.
American School of French Marquetry, San Diego, California
2024 Feb 12-16 Feb 19-23
2024 June 17-21 June 24-28
2024 Sept 23-27 Sept 30-Oct 4
Classes are on the second floor of the business, Antique Refinishers, Inc., and there is no elevator. Classes are held Monday through Friday from 9:00 am to 5:00 pm. The school is located in a historic business district and conveniently close to stores and restaurants. In addition, the school has a microwave and refrigerator for the use of the students, if desired.
Marc Adams School of Woodworking, Franklin, Indiana
This class is designed to introduce the student to the chevalet, and no previous experience in marquetry is required. Class 100 is required for all of the other classes at ASFM which use the chevalet as a cutting tool.
The Boulle method consists of cutting all materials in a single packet simultaneously, by interchanging the elements, positive and negative designs will be assembled. Students will complete three different projects, and learn how to make a traditional assembly board with Kraft paper. Basic instruction on using hot protein glue is also included. All tools and materials are provided.
This class is designed to introduce the student to the chevalet, and no previous experience in marquetry is required. Class 100 is required for all of the other classes at ASFM which use the chevalet as a cutting tool.
The Boulle method consists of cutting all materials in a single packet simultaneously, by interchanging the elements, positive and negative designs will be assembled. Students will complete three different projects, and learn how to make a traditional assembly board with Kraft paper. Basic instruction on using hot protein glue is also included. All tools and materials are provided.
Stage II
Painting in Wood
Note: Completion of Stage I Required
Painting in Wood is a variation of the Boulle method, and was used as a process throughout Europe, where the chevalet was not available.This technique permits to realize very intricate pieces like the Piece by Piece technique and benefits greatly form the use of the chevalet. Accuracy in cutting is not critical, this class is often taken as a second week class for those students who complete Class 100 but do not wish to advance directly to Class 200. Hot sand shading to create dramatic effects will also be taught. All tools and materials are provided.
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Stage II
Piece by Piece
Note: Completion of Stage I Required
This class introduces the student to the most advanced method of marquetry, developed by the french marquetry craftsman during the 18th century. Cutting the elements of the design separately from the background veneers allows for a minimum of waste and a maximum of production. The great advantage of this technique is the ability to cut from 8 to 12 copies at the same time, each identical to the other. In addition, the student will be taught how to use hot sand to create the traditional shading creating a dramatic effect to the composition. All tools and materials are provided.
Stage III
Independent Studies
Note: Prerequisite Stage I and/or Stage II
This class is designed to allow more advanced students the opportunity to work in the school on their own projects or on more advanced projects provided by the school.
Appropriate instruction and consulting will be provided and customized by instructors, and as for all classes, all of the tools in the school are available.
Depending on the material they may have to be purchased but at cost.
The schedule and the project is to be determined between the student and the school.
Geometrica (Parquetry)
Traditional veneering and Hide Glue
This class does not use the chevalet. Historic methods of using veneers to create geometric patterns, such as “frisage” and “jeux de fond” will be taught, as well as the essential method of hammer veneering.
Extensive use of both hot animal protein glue and liquid protein glues will provide students with practical experience.
A variety of clamping method will be demonstrated, such as hot sand bags, hot/cold veneer press and vacuum systems. All tools and materials are provided.
Painting in Wood is a variation of the Boulle method, and was used as a process throughout Europe, where the chevalet was not available.This technique permits to realize very intricate pieces like the Piece by Piece technique and benefits greatly form the use of the chevalet. Accuracy in cutting is not critical, this class is often taken as a second week class for those students who complete Class 100 but do not wish to advance directly to Class 200. Hot sand shading to create dramatic effects will also be taught. All tools and materials are provided.
All classes, are taught concurrently. These classes use the “chevalet de marqueterie” to cut the pieces, the same process as used at Ecole Boulle in Paris. Class size is limited to 7 students. Teachers are Patrick Edwards, Kristen Arrivee and Patrice Lejeune.
The cost for each stage is $1,100. A deposit of $500 is required for each stage, and must be sent in with an application to reserve a place in the American School of French Marquetry. The balance is due before or on the first day of class. Full payment can be made in advance. We accept checks and all major credit cards. On cancellations made six weeks before the class begins, payments will be returned. Any payments received are fully refunded if cancellation is made six weeks before class begins. Late cancellations will be rescheduled, space available, for another course.
This class introduces the student to the most advanced method of marquetry, developed by the french marquetry craftsman during the 18th century. Cutting the elements of the design separately from the background veneers allows for a minimum of waste and a maximum of production. The great advantage of this technique is the ability to cut from 8 to 12 copies at the same time, each identical to the other. In addition, the student will be taught how to use hot sand to create the traditional shading creating a dramatic effect to the composition. All tools and materials are provided.
ASFM instructor and school founder. Currently holds teaching degrees in the fields of Antiques, Physics, Mathematics, History, Philosophy, Art History and Appreciation, Decorative Arts and Related Technologies. Graduated UCSD with BA in Applied Physics and Information Science, minor American History. Graduate studies at Winterthur Museum, University of Delaware, and ecole Boulle, Paris, with focus on French Marquetry and French Polish.
Patrice Lejeune,
ASFM instructor. Graduated form the Ecole Boulle with a major in Furniture making and design and “minor” in Marquetry and finishing. Art history student at the University La Sorbonne in Paris. Furniture and marquetry restorer, designer and maker at Antique Refinishers, Inc. Contemporary marquetry artist.
Kristen Arrivee,
School President, Administrator at ASFM and Antique Refinishers Inc.. Bachelor of Arts, Long Beach State University, Charter Oak State College. Creative process coach & art instructor, jewelry designer and avid gardner.
This class is designed to allow more advanced students the opportunity to work in the school on their own projects or on more advanced projects provided by the school.
Appropriate instruction and consulting will be provided and customized by instructors, and as for all classes, all of the tools in the school are available.
Depending on the material they may have to be purchased but at cost.
The schedule and the project is to be determined between the student and the school.
This class does not use the chevalet. Historic methods of using veneers to create geometric patterns, such as “frisage” and “jeux de fond” will be taught, as well as the essential method of hammer veneering.
Extensive use of both hot animal protein glue and liquid protein glues will provide students with practical experience.
A variety of clamping method will be demonstrated, such as hot sand bags, hot/cold veneer press and vacuum systems. All tools and materials are provided.
